Thursday, May 1, 2014

Remember


VERB

  • Have in or be able to bring to one’s mind an awareness of (someone or something that one has seen, known, or experienced in the past)
  • Do something that one has undertaken to do or that is necessary or advisable
  • [WITH CLAUSE] Used to emphasize the importance of what is asserted
  • Bear (someone) in mind by making them a gift or making provision for them
  • (remember someone to) Convey greetings from one person to (another)
  • Pray for the success or well-being of
  • (remember oneself) Recover one’s manners after a lapse
Origin

Middle English: from Old French remembrer, from late Latin rememorari 'call to mind', from re-(expressing intensive force) + Latin memor 'mindful'.

http://www.oxforddictionaries.com/us/definition/american_english/remember

____________________________________________________________________

On Thursday, I heard a word and took a mental note, recording said word to be used as my blog word for the week. Each day since, I’ve sat willing myself to remember something about the word other than it starting with an ‘R’. To date, I do not remember the word— not even another letter. But ‘remember’— to think about what was and all the ways we get back there— seems a worthy replacement for the missing ‘R’ word.

In an attempt to recall the word, I recounted Thursday evening: 

I left the house and stopped to pick up a grand total of eight coffees, six of them iced, before going to stand in a cold and windy Courthouse Square for Scranton’s 24th Annual Take Back the Night event. Kim and I have been going for years— so many years, in fact, that it seems as though the need for this sort of event shouldn’t even exist anymore. It has kind of always felt this way— that this shouldn’t even be necessary. And yet, it is. Human beings are hurting other human beings and, in the process, they are passing down this staggeringly weighted chain of hurt. The manner with which they hurt varies. The manner in which they hurt, seemingly, does not. One human turns another human into some ‘thing’ or an unimportant no-one  They--the 'hurters' --set up, consciously or not, space where lessening or eliminating the value of another human gives them power and, in doing so, they control as they create fear. Fear, it seems, is the apex of control. 

And so, carrying signs proclaiming their right to Take Back the Night—their right not to fear—a crowd of individuals marched into the square, joining the crowd already gathered. As they did, I ventured onto my phone, in an attempt to distract myself from crying, but found and re-read a terrible story reminding me why we do still need these events. 

You can read it here: 
http://www.huffingtonpost.com/2014/04/23/brown-university-rapist-strangle_n_5201644.html

There was music and information via a handful of speakers and as a bell from a local church tolled, over and over and over again,for far more minutes than I’m sure the broken bell intended to ring, individuals lined up to tell their stories or to share their support for survivors of hurt. 

Some shared to powerfully claim the sharing. 

Some shared in an effort to vent an excess of hurt. 

Others shared poetry that seemingly gave them control by crafting experience into art, using the confines of a rhyme scheme to order what so frequently feels out of control and an irregular meter to honor the truth of that feeling. 

Some speakers you could barely hear, others shouted. 

Some talked off of paper-recorded prepared remarks, while others searched through their words as needed. 

Eventually, the line ended and as the few near-tears dried from the outer edges of my eyes, white candles were handed out and fire was passed. What always strikes me about the candles is that in order to light your own, you need to turn to or go to someone else. The flame needs to be passed. Even for the person with the match or the lighter, someone somewhere else provided the tools. 

We are born into this world reliant and that reliance can be uncomfortable, perhaps even dangerous. To light candles symbolizing how we can take back control, however, and to do so in this dependent way, feels simultaneously terribly sad and remarkably calming. There is, for me, an odd loss in turning to someone else. The lighting of the candles, every year, is itself a cry and a wiping away of tears.

When the event was over, I hung around to help do some clean up. I made another mental note to remember the ‘R’ word. I sat for a few moments on a bench while strangers comforted a young woman crying. I debated going over to see if there was anything I could offer--if there was anything I could do to ease whatever pain was surfacing for her in that moment, but I was too afraid. I walked away from her worried that things from my own life would surface if I talked to her, undeniably raw things I like to think of as comfortably tucked away. I believed this would be a bad thing--this resurfacing--because I would be perpetuating hurt. 

When all was said and done, there was a trip to Perkins for some poorly chosen, unhealthy food, though every morsel was magnificently delicious. Kim and I arrived home exhausted, shortly after midnight, and went to bed. I had quite a difficult time sleeping.

Resurfaced things swirled through my head--recent things and things from far back and the things swirled long enough that they made me dizzy and I spun until I fell into sleep, waking a few hours later to the dog’s plea for a potty outing. When I stood to put her out, I was still dizzy—literally dizzy. I crawled back into bed once she came back up the stairs from her potty stop and fell asleep until the alarm went off at 5:55. I made another mental note to remember the ‘R’ word.

At work, I counted hours until the half day I had scheduled arrived, looking forward to it more than the week's long vacation I'd recently taken. I ran directly from work to the pet store and then to get grocery shopping done for the week. I went home, put groceries away, opened windows, and fell asleep on the couch, listening to birds chirping. Later, I took a cedarwood scented bath and played with ink and water on a new surface—the start of one of two new art projects. When I tired of ink, I went back into the bedroom and laid down, the breeze from my fan drying my damp, cedarwood-scented hair. The sky darkened and the Friday night rain rolled in as we prepared to go see a dear friend perform at a local venue. 

It was in the half-day from nap time to blues time that I deeply relaxed and in which I realized the ‘R’ word was certainly, irreparably, lost.


I did my damnedest to bring back the word on Sunday morning in an effort to post on my regular day, but failed. I still know it only as the ‘R’ word, and nothing more. I started creating a list of ‘R’ words I’d heard on Thursday--REMEMBER, REFLECT, REALIZE, RAPE—and I was still unable to make contact with the right 'R' word. And so, I resigned from the effort to get back to exactly what it was, hoping this process of searching may have been even more valuable. This retracing to remember, even without the finding, calmed me. I felt like I was doing something and the doing gave me some control, even though my memory is not what it once was. 

The reality of chemo-brain is that my pre-chemo brain never came back. Recalling things is so much more difficult now and placing things takes an entirely different kind of effort. I do end up having to retrace paths, looking for markers that are as reliable as Hansel and Gretel’s beans. Retracing and not finding beans I expect to find, where I expect to find them, messes with my head. Missing markers bolsters doubt and doubt keeps me silent. Unremembered memories restrict releasing deep shame and guilt and all of it contains the blame within the confines of a story that is the outline of a life— my life.

That realization is hard.
That 'R' word is hard.

A week past the event, I'm still feeling off. I had a panic attack at work this morning and made every effort to keep it under wraps. I'm a bit lost and a bit afraid. I'm waiting for it to pass and remembering that, though it always comes back, it always does pass.

Sunday, April 6, 2014

Bound

VERB[NO OBJECT]
  • Walk or run with leaping strides
  • (Of an object, typically a round one) rebound from a surface

NOUN
  • A leaping movement upward


Origin
early 16th century (as a noun): from Frenchbond (noun), bondir (verb) 'resound', later 'rebound', from late Latin bombitare, from Latin bombus 'humming'.

NOUN(often bounds)
  • A territorial limit
  • A limitation or restriction on feeling or action
  • (technical) A limiting value.


VERB[WITH OBJECT]
  • Form the boundary of; enclose
  • Place within certain limits; restrict


Origin
Middle English (in the senses 'landmark' and 'borderland'): from Old French bodne, from medieval Latin bodina, earlier butina, of unknown ultimate origin

ADJECTIVE
  • Heading toward somewhere
  • Destined or likely to have a specified experience


Origin
Middle English boun (in the sense 'ready, dressed'), from Old Norse búinn, past participle of búa 'get ready'

ADJECTIVE
  • [IN COMBINATION] Restricted or confined to a specified place
  • Prevented from operating normally by the specified conditions
  • [WITH INFINITIVE] Certain to do or have something
  • Obliged by law, circumstances, or duty to do something
  • [IN COMBINATION] (Of a book) having a specified binding
  • Linguistics (Of a morpheme) unable to occur alone, e.g., dis- in dismount.
  • Constipated.


http://www.oxforddictionaries.com/us/definition/american_english/bound?q=bound#bound
http://www.oxforddictionaries.com/us/definition/american_english/bound?q=bound#bound-2
http://www.oxforddictionaries.com/us/definition/american_english/bound?q=bound#bound-3
http://www.oxforddictionaries.com/us/definition/american_english/bound?q=bound#bound-4

------------------

"Bound...And..."

Sunday, March 30, 2014

Matter

noun

  • [mass noun] Physical substance in general, as distinct from mind and spirit; (in physics) that which occupies space and possesses rest mass, especially as distinct from energy
  • [usually with adjective] A particular substance
  • Written or printed material
  • Printing The body of a printed work, as distinct from titles, headings, etc..
  • A subject or situation under consideration
  • Law Something which is to be tried or proved in court; a case.
  • (matters) The present state of affairs
  • The substance or content of a text as distinct from its style or form.
  • Logic The particular content of a proposition, as distinct from its form.
  • [with negative or in questions] (the matter) The reason for distress or a problem 
verb 
[no object]
  • [usually with negative or in questions] Be important or significant
  • (Of a person) be important or influential
  • rare-chiefly US (Of a wound) secrete or discharge pus.

Phrases 
for that matter 
in the matter of 
it is only a matter of time 
a matter of 
a matter of course 
a matter of form 
a matter of record 
no matter 
to make matters worse 
what matter? 

Origin
Middle English: via Old French from Latin materia 'timber, substance', also 'subject of discourse', from mater 'mother'.

----------------------------------------------- 
I hung "Mother Nature" on the wall. Each time I'd go up or come down, I'd see her, laying on that with which she was made-- waves of water, cliffs of stone, and brown mounds of earth. 

The matter of her was everything and everything was the matter with her. 

The working title had been "Elements"-- recognition of her natural building materials. When those building materials became a person, "Elements" became "Mother Nature" and that is when I was simultaneously astounded she came to be and hated her for becoming. When what made her turned from pieces into a mother, a force birthing the natural world, everything felt unnatural. 

It sounds like a joke, but I hated her most after I'd glossed her over...literally. Before that, her earth arm and her water arm stretched and dipped their way into themselves naturally. Only small sections were glossed. Her head--the sun--built of sand that had once been stone, rested, glowing and she tossed her wild hair, itself wind, into the wind. In her natural state, she was beautiful, as we all are...a reality I know as reality from the outside looking at other ins and other outs. The outside looking at my own in or the inside of my own in looking at my own out is not reality with which I'm certain. 

I've recently doodled, painted, photo manipulated, and played my way into a series of portraits. I don't decide that's what I'm doing ahead of time. I simply sit down with the tools and the elements. Once I've determined the creation is done, I easily identify them as self-portraits, as I did with these: 
"Investigation of the Fat Girl"




















"Light"





















"Reach"


























"Self Portrait Right Now"






















But when I was asked if, in different words, I was in the "Mother Nature" painting, I felt confident in quickly answering no. 

ZERO connection.

She wasn't me but I couldn't say she was anyone else either.

I didn't want to change her, I wanted to fix her. The fix was because she was wrong... everything was the matter with her.  I couldn't stop staring at her. I hated her. For two days I left her varnish-stinky self tied off in plastic grocery store bags, inside one of those reusable shopping bags, and thrown on the floor of the dining room, half-hoping that when I decided to take her out she'd be as broken as I felt she already was. Then the decision to destroy her the rest of the way would be easy. It's a fantasy I entertain when I can't figure out a fix --a fantasy that involves violent destruction with knives or fire or words or pure force to tear and shred.


When I finally took her out, she didn't smell quite as bad. I took down this old self-portrait, this child

"An Outline of Childhood"
and put "Mother" up in its place. In a matter of time, I assumed, I'd figure out what needed to be fixed OR I'd learn to love the "MOTHER" fucker, damn it.

I was determined.

"Mother Nature" has been up since Wednesday, hanging at the bottom of the stairs. I still don't know what's wrong with her beyond the gloss. I still don't know how to fix her. 


Here is what I do know, though:

I love her pieces-- waves, stone, earth.

I love her energy-- peace, contentment, fire, wind.
I love the way every side of her reaches toward becoming whole.
I do not love her.
I want to fix her because I think I am her and because I think she is my mother.

Stupid syllogistic logic follows naturally in my thoughts.


The matter making "Mother Nature" can be magical and can be maddening. Waves in which carefree children play are the same waves from which tsunamis are made. Earth in which we garden and grow flowers and food is the same earth that can slide from the hills burying hundreds of people, pets, and houses.

We are all made of all of it--waves and gardens and tsunamis and mudslides. 

What does that mean? 
What do we do with that?
Why does it matter?


Maybe instead of loving "Mother Nature" to pieces I can love her from pieces. Maybe I can, and should, do the same with my own mother. Maybe I can do this with the matter of myself until I believe I matter.
"Mother Nature"

Sunday, March 23, 2014

Stem

noun  
  • The main body or stalk of a plant or shrub, typically rising above ground but occasionally subterranean.
  • The stalk supporting a fruit, flower, or leaf, and attaching it to a larger branch, twig, or stalk.
  • A long, thin supportive or main section of something
  • The slender part of a wine glass between the base and the bowl
  • The tube of a tobacco pipe
  • A rod or cylinder in a mechanism, for example the sliding shaft of a bolt or the winding pin of a watch
  • A vertical stroke in a letter or musical note.
  • Grammar The root or main part of a word, to which inflections or formative elements are added.
  • • archaic or • literary The main line of descent of a family or nation
  • The main upright timber or metal piece at the bow of a ship, to which the ship’s sides are joined at the front end
  • US • informal A pipe used for smoking crack or opium.

verb (stems, stemming, stemmed)
  • [no object] (stem from) Originate in or be caused by
  • [with object] Remove the stems from (fruit or tobacco leaves)
  • [with object] (Of a boat) make headway against (the tide or current)
  • [with object] Stop or restrict (the flow of something)
  • Stop the spread or development of (something undesirable)
  • [no object] Skiing Slide the tail of one ski or both skis outwards in order to turn or slow down

abbreviation
  • Science, technology, engineering, and mathematics (as an educational category)

Origin
Old English stemnstefn, of Germanic origin; related to Dutch stam and German Stamm. sense 4 of the noun is related to Dutch steven, German Steven
http://www.oxforddictionaries.com/definition/english/stem?q=stem#STEM

-----------------------

It was already today when she went to bed and just short of three hours later when she woke, unable to move her legs, with tears falling down her face. Muscles curved her left leg forward with such force that it pushed her blanket off the bed. She pushed at her left leg, first at her thigh and then at her calf, ankle, foot, and toes, in order to ease the awkward, wrong-direction stretch. Her right leg curved over her left. Once she was able to swing her legs off the side of the bed and sit up, she sat for small blocks of time, stretching and pulling and rubbing her legs, before trying to lay down again hoping the muscles would cooperate. Each time, they would not. The dog wearily shifted around her tossing. After a dozen or so attempts, the spasms stopped and she was able to lay back down, though only on her back-- a position she didn't trust. 

She wanted to cry-- felt like she could-- but also feared someone seeing her cry. She worried someone had seen the tears on her face when she woke. There was no one there, she knew, but still she feared being seen. She had no idea what she wanted to cry about...no idea from what the push of emotion stemmed. The pain with which she woke, her body controlled by something else, sufficiently distracted her from pursuing understanding. But now, as she stared at the crack in the ceiling stretching from one end of the room to the other, she wondered what crying was meant to be. 

Does crying ask for attention or is it expression alone? 
Is it the way the body flushes out toxins or the way it reminds us how like the ocean we are? 
Is it a display of weakness-- an invitation on which stronger people prey, creating more crying, to prey even more and continue the cycle without end? 

One of the reasons she'd survived, she knew, was her intense curiosity to understand-- to understand herself, to understand others, to get a handle on dates and details and circumstances. Smells and colors and light and textures were experienced in extreme ways--often physically and emotionally painful ways--but they were necessary and so she kept quiet and dealt. She worked tirelessly at piecing together everything--even the smallest things-- in a way that she could digest or classify or do something for which a word had not yet been coined. It was her curiosity to understand WHY-- like a perpetual question from a toddler to a tired parent: 

 "But WHYYYYY!" 
--short, nonsensical reply-- 
"But WHYYYYYYYYYY!" 
-- shorter, nonsensical reply-- 
"But WHYYYYYYYYYYYYYYYYYYYYY"
--non-answer answer "BECAUSE"--  
 

Because suspended why. Being yelled at, reprimanded, made to feel as though she was a toddler, suspended why. And that BECAUSE came from both the outside and from within herself. 

She fell asleep on her back, in time, as she stared at the crack in the ceiling, thought on endless, circular questions, and concentrated on the rhythm of the dog's expanding rib cage against the outside of her legs. 

The alarm woke her soon after. She was able to move her legs, though they were sore. Her stomach, shoulders, wrists and lower arms ached as if she'd been in a fight during her final hour of sleep. Light and sound hurt and when she rested her hands on her thighs before she stood to head to the bathroom, she startled at her own touch and felt nausea rise, nausea which grew exponentially when she wiped to find she was sticky. Immediately, she got in the shower and started to cry. 

But WHYYYYY!
--no answer-- 
But WHYYYYYYYYYY!
-- no answer-- 
But WHYYYYYYYYYYYYYYYYYYYYY
--only-answer, answer "YOU--IT'S YOU--FOREVER WORTHLESS"  
 

She stopped WHY and stopped crying and started to wash her hair, smelling the scent of peppermint trailing down the sides of her face. She stood under the hot water and scrubbed at herself, trying to exfoliate more than just the top layer of skin. 

My top layer isn't the only one dead and disgusting--disgusting reaches far beneath...

She lifted her stomach and her breasts and other rolls of fat out of the way of the scrubbing before scrubbing them as well. She no longer felt the water, the temperature or the sound. She no longer felt the scrubbing or smelled the peppermint. Focussed, the bad night of sleep and all of the bad nights from which this one stemmed, disappeared. 

She, however, still needed to go to work.

She stepped out of the shower, grabbed a towel, made effort not to see herself in the mirror. She brushed her hair back, pushing the excess water in the strands to the ends, before squeezing it out from the twisted bunch and into the tub. Dropping the brush into the sink, switching the light off, and heading into the bedroom, she prepared to dress.

A collection of clothes, pulled from the dresser, the closet, and the laundry basket were left piled at the edge of the bed. She dropped the towel, simultaneously picking up her underwear, balancing on her sore left leg as she lifted her right leg through the opening. She decided to grab her towel and take it back into the bathroom, hanging it to dry, and when she did she saw herself in the mirror, exposed chest, remaining tear stains, and for the first time since she'd been five, a five year old.

And she wondered...

WHYYYYYYYYYYYYYYYYYYYYY...

...before the dizzy set in, she lost balance on her sore legs, and she fell, hitting her head off of the tub...



Sunday, March 16, 2014

Thread

noun
  • A long, thin strand of cotton, nylon, or other fibres used in sewing or weaving
  • [mass noun] Cotton, nylon, or other fibres spun into long, thin strands and used for sewing
  • literary A long, thin line or piece of something
  • A theme or characteristic running throughout a situation or piece of writing
  • A group of linked messages posted on an Internet forum that share a common subject or theme.
  • Computing A programming structure or process formed by linking a number of separate elements or subroutines, especially each of the tasks executed concurrently in multithreading.
  • (also screw thread) A helical ridge on the outside of a screw, bolt, etc. or on the inside of a cylindrical hole, to allow two parts to be screwed together.
  • (threads) • informal, chiefly North American Clothes
verb
  • [with object] Pass a thread through the eye of (a needle) or through the needle and guides of (a sewing machine)
  • [with object and adverbial of direction] Pass (a long, thin object or piece of material) through something and into the required position for use
  • [no object, with adverbial of direction] Move carefully or skilfully in and out of obstacles
  • Interweave or intersperse as if with threads
  • Put (beads or other small objects) on a thread, chain, etc.
  • (usually as adjective threaded) Cut a screw thread in or on (a hole, screw, or other object)
Phrases 
hang by a thread 
lose the (or one's) thread 

Origin
Old English thrǣd (noun), of Germanic origin; related to Dutch draad and German Draht, also to the verb throw. The verb dates from late Middle English.


---------------------------------------------------

Story stitched in. Needle and thread. I focus on the eye. The point stares back.

I follow a feminine seam-- my story sewn in her story sung, her painted pain, her words, drawings, dances divulging our suspended stories started while sailing alone, continued while wading in pungent, paralyzing darkness searching for the end of the thread.

The March moon wanes to new, giving rise to release let from the depth of this darkness. In quiet, my self's story sails softly over squares sewn solely for holding the hidden. Stories embedded in bed covers. Bed covers covering nothing. And I watch these stories speak through fibers--every fiber, my being--cloth shaking, it seems, with seam-splitting aftershocks. Laid out, as I was, these quieted quilts of bound loops I'm to lay on--to sleep on-- strangle speech. Stories speak at nap time to the kindergarten napper after milk from un-kid kind cartons, pulled open from every side. Blankets after treats--cookies--Gingersnaps. Good things. Sweet things. Good little girl things.

By second grade, after the cessation of cookies and milk as nap snacks, I eat crayons— chew wax and chew paper. I swallow. White. Fuchsia. Green. Teal. Red. Maroon. Yellow. Chartreuse. Black and blue. Ingesting warrants hallway banishment. I offer no argument and chew a few wax snacks I sneak out once I've been set aside. I make no effort to be invited back, waiting through punishment. I'm permitted to return to my desk only after I've had time to "Think about what you've done." I alternate between wax and glue after that.

Fourth follows after milk and after cookies and after waxy chew toys and as I recognize I'm realizing differently the 'nothing' covered by bed covers. Fourth comes with a need for something. A need for anyone. Every fold of my skin, every roll of my fat, squares off and fills. Stories embed. Sheets. Sheet after sheet. Sheets upon sheets. Ream after ream—tear, tuck, and fold into origami pillows— pillows on which to rest—pillows stuffing the quilt squares of my skin--stuffing weight--so that I step on the scale at Strawbridge's and Clothier and Mom-Mom says, "The scale is wrong. You aren't that heavy" and shame, the name rather than Virginia (or the discarded Ida) that should have been passed down to me, cross-stiches its massive 'S' on every remaining fabric pocket. My body is horrible and I live inside. I read my mother's medical books and The Scarlet Letter to understand. The pictures of women being examined in the medical books enforce the normality of exposure and the 'A' on Hester's chest illuminates the letters I wear.

I'm Mom-Mom-less midway through sixth and there are no more walks through a backyard to water on which I sailed. No more investigations through closeted furs to find the door leading to Narnia. No more watching her sleep and worrying for her breathing in between Black Beauty chapters. No more safe bed. No more safe weekends. No more being quiety cared for. I grieve exponential loss by drinking pink soda. Stories still speak when it's sleep begging to be heard. 

Still searching for thread
end not in sight, I follow
"You will never learn"

I'm told--I'm told I'm

cause for what's wrong with the world
though in fewer words

actions yell instead

driving home from the station
where my trying stopped

story goes to bed

beside me, she's beside me
I am still alone

In eighth, by thirteen, when dark doesn't come from outside, I turn the lights off myself. I flip switches through my thirty-fifth year. I've learned, though they said I'd never. "I'll get you, my pretty. And..." I'm grateful I wasn't allowed to have a dog. I'm my own Wicked Witch-- winged monkeys circling my own monkey in the middle. I'm Cowardly Lion, made out of tin, trying to play wizard to the Dorothy I depend on to find a place called "No place like home"-- a place you look to for solace sewn simply, over and under and over and under, knots keeping the lines in place, story stitched in.

my story is not

story with that no place like
home, but her story's

threads bear witness to

themes and truths in my story
so, I keep reading




Sunday, March 9, 2014

Pass

verb
  • Move or cause to move in a specified direction
  • [no object, with adverbial of direction] Change from one state or condition to another
  • [no object] • euphemistic , chiefly North American Die
  • [with object] Go past or across; leave behind or on one side in proceeding
  • Go beyond the limits of; surpass or exceed
  • Tennis Hit a winning shot past (an opponent).
  • [no object] (Of time) elapse; go by
  • [with object] Spend or use up (a period of time)
  • Come to an end
  • Happen; be done or said
  • [with object and usually with adverbial of direction] Transfer (something) to someone, especially by handing or bequeathing it to the next person in a series
  • [no object, with adverbial] Be transferred from one person or place to another, especially by inheritance
  • (In soccer, rugby, and other games) kick, hit, or throw (the ball) to another player of one’s own side
  • Put (something, especially money) into circulation
  • [no object] (Especially of money) circulate; be current
  • [with object] (Of a candidate) be successful in (an examination, test, or course)
  • Judge the performance or standard of (someone or something) to be satisfactory
  • [no object] (pass as/for) Be accepted as or taken for
  • [no object] Be accepted as adequate; go unremarked
  • (Of a legislative or other official body) approve or put into effect (a proposal or law) by voting on it
  • [no object] (Of a proposal) be approved by a legislative or other official body
  • [with object] Pronounce (a judgement or judicial sentence)
  • Utter (something, especially criticism)
  • [no object] (pass on/upon) • archaic Adjudicate or give a judgement on
  • [with object] Discharge (something, especially urine or faeces) from the body
  • [no object] Forgo one’s turn in a game or an offered opportunity to do or have something
  • [as exclamation] Said when one does not know the answer to a question, for example in a quiz
  • [with object] (Of a company) not declare or pay (a dividend)
  • Bridge Make no bid when it is one’s turn during an auction
noun
  • An act or instance of moving past or through something
  • An act of passing the hands over something, as in conjuring or hypnotism.
  • A thrust in fencing.
  • A juggling trick.
  • Computing A single scan through a set of data or a program.
  • A success in an examination, test, or course
  • British An achievement of a university degree without honours
  • A card, ticket, or permit giving authorization for the holder to enter or have access to a place, form of transport, or event
  • historical (In South Africa) an identity book which black people had to carry between 1952 and 1986, used to limit the movement of black people to urban areas.
  • (In soccer, rugby, and other games) an act of kicking, hitting, or throwing the ball to another player on the same side
  • informal An amorous or sexual advance made to someone
  • A state or situation of a specified, usually undesirable, nature
  • Bridge An act of refraining from bidding during the auction.
Phrases 
pass the baton 
pass the buck 
pass one's eye over 
pass go 
pass the hat (round) 
pass one's lips 
pass muster 
pass the parcel 
pass the time of day 
pass water 

Phrasal verbs 
pass away 
pass someone by 
pass off 
pass something off 
pass someone/thing off as 
pass on 
pass out 
pass over 
pass someone over 
pass something over 
pass something up 

Origin
Middle English: from Old French passer, based on Latin passus'pace'.
http://www.oxforddictionaries.com/definition/english/pass?q=pass
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Spin Art was the last present she’d pass from her hands to mine before she wasn’t anywhere I could touch her any longer.  
That last Christmas, Mom-Mom spun and circled.  I was to sing in the choir on Christmas Eve but didn't get to go. We went to the hospital instead.  It was one of very few times, if not the only time, I saw Mom-Mom when she was there. 
She bought me the Spin Art toy I'd seen on the commercial. Happy children attached paper to the center of a spinning circle with walls.  Onto that spinning paper they dropped paint streams and paint tears, creating colorful, sun-burst spin paintings-- paintings where the centers bled out, stretched out, reached all the way to where the walls prevented them from going further.
My mother handed Spin Art to Mom-Mom so Mom-Mom could pass it to me. Mom-Mom, confused, started to open it instead.  When my mother took it back from her, she carefully folded the corner of the gift-wrap and re-taped the opening closed. Then she handed it to me.
I don’t remember what my brother received.  I don’t remember what my parents received.  I remember what she gave me—the Spin Art and a Snuggle Bear ornament she’d received from sending in the UPCs off of dryer sheet boxes. I remember what they bought her—a two-sided photo album for school pictures, one side for me and one side for my brother. That year’s school pictures were already there and there were, my mother told Mom-Mom, plenty of empty sleeves she could fill with pictures ‘in the years to follow.’ 
That night, when we returned home, I played with the Spin Art, dropping reds and yellows and greens and blues onto the spinning picture, smelling the sweetness of the paint, touching the warped wetness of the paper, and feeing the sink that is a wordless knowing--a blue, spun painting-- of loss.  
****
We took home saplings from school on Arbor Day.  I couldn’t plant mine at home.
Nothing grew there.  
When we went to the cemetery to visit Mom-Mom, I took the tiny tree, a tiny shovel, and some water.  Back in the row of trees, where there was a gap, I dug a small hole and planted the little evergreen.
I checked on it every time we went to visit, convincing myself it was growing.  I don’t believe it ever did.  I do not believe it ever died.  It just stayed small forever, hiding under the shadow of the larger trees, back behind the stone that said Mom-Mom in different words.
I think she was buried in a pink dress.  I remember pink because of that dress and the raspberry ginger ale. But I don’t really remember—I only truly remember the top of her head from the vantage point of the bench on the other side of the room, the bench I sat on before Aunt Jan took us to her house to get us away from the evening, the Aunt Jan who gave me raspberry ginger ale to make it all better.
At the end of the viewing, my parents picked us up at Aunt Jan’s, took us home, put us to bed, got us up, got us dressed, and we waited for the limo to take us to the funeral home on that MLK holiday Monday-- Mom-Mom's funeral delayed so we didn’t have to miss school.  
I wanted the ground at the cemetery to feel mushy—for it to give under my feet like it had when I walked to the creek behind Mom-Mom's house, under the crab able trees, winding toward a place that was mine alone.  Instead, the ground was hard—frozen-- and it hurt to walk both because of the temperature exposure to my skin and nerves and because the hardness of the ground was so impenetrable. Frozen ground did not give when I asked frozen ground to give her back to me.  
So I stood still—heard words---ash and dust--stayed as still as I could because nothing more could happen if I stood still.  Two years after my father had his heart attack, Mom-Mom now gone, nothing more could happen if I made myself invisible. Nothing more could happen if I was still enough for 'more' to pass over.
But so much more would come to pass.


Saturday, March 1, 2014

Let

verb

  • [with object and infinitive] Not prevent or forbid; allow
  • [with object and adverbial of direction] Allow to pass in a particular direction
  • [with object and infinitive] Used in the imperative to formulate various expressions
  • (let us or let's) Used as a polite way of making or responding to a suggestion, giving an instruction, or introducing a remark
  • (let me or let us) Used to make an offer of help
  • Used to express one’s strong desire for something to happen or be the case
  • Used as a way of expressing defiance or challenge
  • Used to express an assumption upon which a theory or calculation is to be based
  • [with object] chiefly British Allow someone to have the use of (a room or property) in return for regular payments
  • Award (a contract for a project) to an applicant

noun British

  • period during which a room or property is rented
  • property available for rent

noun

  • (In racket sports) a circumstance under which a service is nullified and has to be taken again, especially (in tennis) when the ball clips the top of the net and falls within bounds

verb [with object] archaic

  • Hinder

Origin

Old English lettan 'hinder', of Germanic origin; related to Dutch letten, also to late.

http://www.oxforddictionaries.com/definition/english/let?q=let
http://www.oxforddictionaries.com/definition/english/let?q=let#let-2
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Once, her clothes had fit. Now, ratty khakis and a sweatshirt draped her tall, thin frame like a bedsheet on a child Halloweening as a ghost. And like one, she'd damn near glided into the room when she'd entered, stopping at the nurse's station.

"People are worried, but what kind of God would give it to me twice?"

"When is the biopsy?" the nurse asked.

Without any detectable fear in her voice, the woman in the too-big clothing replied, "Thursday morning, but not until after my poker game."

She stood in an opening between a wall and a translucent partition separating medical staff from patients. I could only see her. Except, of course, I could also see myself. When the nurse replied, her voice held all of Too-Big's fear. "I hope you win," she told her.

I'd been sitting waiting for half an hour while I watched and listened to the interaction between Too-Big Clothing and the nurse I couldn't see. When repeat bloodwork was requested after elevated levels in January, the Physician's Assistant asked me to promise not to worry. She wasn't worried, she'd told me. I laughed to make the question go away. I knew I'd worry and told her the same. Over the course of the month, though, I'd found enough distractions between the hours of 8 AM and 9 PM to cope and wait without the ever-present fear. Approximately 97.75% of the time I listened to doctor's orders not to worry.

The rest of the time, I worried. I worried when I let myself worry. I worried out of default. I left myself vulnerable and I worried, breaking the promise I'd acknowledged with the nervous laugh, when I'd lay down to bed or when I'd wake. And anything that left me vulnerable, of which sleep itself could be counted, opened a door for every other worry, every other fear, every other head or body memory of any vulnerability. I could work to the others from cancer or from cancer to the others. One thing trailed into the next like hurled gripes in an unfair argument between bitter partners.

I was tired.

When I talked to Kim later that evening, having walked out of the oncologist's office without the resolution expected, we'd both agreed we didn't have an overwhelming feeling that something was wrong this time. Kim reminded me of how I'd been the first time-- of how tired I'd been, how after work, I'd come home, immediately hit the couch and sleep as long as I could. I reminded her that I couldn't, at that time, tie the exhaustion to illness. Rather, I had tied tired to depression coming from a vulnerability manipulated by a co-worker...a co-worker who repeatedly told me he was dying, when the truth was that I was, though I didn't know it yet. Diagnosis would come a few months later. She reminded me how the lump in my neck had worried her and how the lasting cough produced solid balls of mucus that made me vomit. I reminded her of how I'd cried in pain for weeks, facing the back of the couch, because I was embarrassed that I experienced pain I couldn't explain and that I could do nothing to alleviate, and the last thing I wanted to do was complain. The vulnerability of attention made me too small.

I thought of Too-Big Clothing. I thought of how small she was, physically, but how large she was in her presence-- her presence full of air. I thought of the beauty in her words and how her question--"What kind of God would give it to me twice?"--sounded simultaneously assured and resigned. I doubt she believed lightning couldn't strike twice. It had, already, for her. The 'something's wrong' had been hers before. And she was back there, letting the worry wait until after her poker game.

And I couldn't wait any longer. But I did...and I didn't.

Seconds later, a woman approached, paper in her hand. "You've been waiting for this," she said, before walking away without any additional information. I'd managed a "thank you" in reply, though I didn't understand the interaction.

I'd been told I could wait for results...that the bloodwork would be read and someone would discuss it with me before leaving. Instead, I had waited for results-- three sheets of paper with numbers and ranges and historic data. I knew some, but not enough. I could, however, recognize that my white cell count was still out of range.

I passed the translucent partition and leaned expectantly on the counter replying to the "Can I help you?" with questions. Had I read this correctly? What was I to do next? There weren't answers I could do much with, only a reply that the doctor would read them and get back to me.

I didn't have a poker game. I did have a counseling meeting and work and emails and phone calls and writing and distractions. I did need to let myself exist in the fear of repeat lightning, the sadness of all the other lightning with which I'd burned and, my least favorite, the anger of having let myself be treated as an afterthought, as a thing, and as unworthy of basic respect.

Though you wouldn't
know it to look
at me, I am
as small as
she, underneath
what you see--This
presentation
me is merely
the picture I'm holding
out of fear--
failure
or freedom--This
presentation
me
letting me be
less than
I am
a poker faced
player
waiting on a
win